See below for examples of my work.
See below for examples of my work.
See below for examples of my work.
This was a project funded by the National Lottery to restore the Queen Anne's Summer House in the Shuttleworth Old Estate, Old Warden, Bedfordshire. I designed the corbels and carved one while my colleague carved the other. They are carved in Quebec yellow pine and painted white.
This was a project funded by the National Lottery to restore the Queen Anne's Summer House in the Shuttleworth Old Estate, Old Warden, Bedfordshire. I designed the corbels and carved one while my colleague carved the other. They are carved in Quebec yellow pine and painted white.
This was a project funded by the National Lottery to restore the Queen Anne's Summer House in the Shuttleworth Old Estate, Old Warden, Bedfordshire. I designed the corbels and carved one while my colleague carved the other. They are carved in Quebec yellow pine and painted white.
There is a huge project to replace the deteriorating Victorian grotesques on the three string courses around the facade of St. George's chapel with new interpretations by contemporary stone sculptors. Two of my designs were chosen. One is already installed and the other in the process of being installed now.
There is a huge project to replace the deteriorating Victorian grotesques on the three string courses around the facade of St. George's chapel with new interpretations by contemporary stone sculptors. Two of my designs were chosen. One is already installed and the other in the process of being installed now.
There is a huge project to replace the deteriorating Victorian grotesques on the three string courses around the facade of St. George's chapel with new interpretations by contemporary stone sculptors. Two of my designs were chosen. One is already installed and the other in the process of being installed now.
Seahorse
Installed on the exterior facade, on the upper string course.
Seahorse
Installed on the exterior facade, on the upper string course.
Seahorse
Installed on the exterior facade, on the upper string course.
Caterpillar
Currently being installed on the facade.
Modeled in clay and then carved in Syreford limestone.
Caterpillar
Currently being installed on the facade.
Modeled in clay and then carved in Syreford limestone.
Caterpillar
Currently being installed on the facade.
Modeled in clay and then carved in Syreford limestone.
Eighteenth century style Italian Rococco. Stained lime wood to give the effect of walnut.
Eighteenth century style Italian Rococco. Stained lime wood to give the effect of walnut.
Eighteenth century style Italian Rococco. Stained lime wood to give the effect of walnut.
‘Stiff Leaf Crozier’ and ‘Stiff Leaf Panel’, which could be adapted to cabinet door design.
‘Stiff Leaf Crozier’ and ‘Stiff Leaf Panel’, which could be adapted to cabinet door design.
‘Stiff Leaf Crozier’ and ‘Stiff Leaf Panel’, which could be adapted to cabinet door design.
Rococco mirror frame (unfinished) in Quebec Yellow Pine and Frame in oak (sold)
Rococco mirror frame (unfinished) in Quebec Yellow Pine and Frame in oak (sold)
Rococco mirror frame (unfinished) in Quebec Yellow Pine and Frame in oak (sold)
Following drawings by Quinlin Terry to create period ornamentation in plaster at the sculpture workshop of Geoffrey Preston.
Following drawings by Quinlin Terry to create period ornamentation in plaster at the sculpture workshop of Geoffrey Preston.
Following drawings by Quinlin Terry to create period ornamentation in plaster at the sculpture workshop of Geoffrey Preston.
Repeated carved ceiling leaf motif for restoration of private house.
Repeated carved ceiling leaf motif for restoration of private house.
Repeated carved ceiling leaf motif for restoration of private house.
Miniature modelling
Miniature modelling
Miniature modelling
Part of an Eighteenth century fireplace surround. Later to be gessoed and painted.
Part of an Eighteenth century fireplace surround. Later to be gessoed and painted.
Part of an Eighteenth century fireplace surround. Later to be gessoed and painted.
Tompion's Mostyn Clock (c.1690)
The original (photo far right) was made by Thomas Tompion, thought to have been commissioned for the coronation of King William III and Queen Mary.
Here, I have modeled details in wax from photos for a custom made near replica. Models were cast in silver and then chased by a silversmith.
Tompion's Mostyn Clock (c.1690)
The original (photo far right) was made by Thomas Tompion, thought to have been commissioned for the coronation of King William III and Queen Mary.
Here, I have modeled details in wax from photos for a custom made near replica. Models were cast in silver and then chased by a silversmith.
Tompion's Mostyn Clock (c.1690)
The original (photo far right) was made by Thomas Tompion, thought to have been commissioned for the coronation of King William III and Queen Mary.
Here, I have modeled details in wax from photos for a custom made near replica. Models were cast in silver and then chased by a silversmith.
Back panel measuring 10cm at widest point
Back panel measuring 10cm at widest point
Back panel measuring 10cm at widest point